The God of Small Things and the Talkhiyan within it

Being one who has always found solace amid books, I quickly began to recognize that the allure of a memorable book lies not within deceptive and gimmicky plot lines. Rather, such charm and magic will only be found in a story that begs to be understood. The God of Small Things by Arundhathi Roy encompasses that particular charm as it has truly found a niche, deep within my thoughts… Those who know me, will certainly testify to this statement.

…the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably.

Roy narrates the tale of twins, Estha and Rahel, who are marred by their society’s intolerance for the atypical. Estha and Rahel experience the ultimate tragedy – premature loss of innocence. The twins encounter several tragedies, such as the molestation of Estha and the death of their mother, which are inherently the result of their society’s negligence.

By then Esthappen and Rahel had learned that the world had other ways of breaking men. They were already familiar with the smell. Sicksweet. Like old roses on a breeze. (1.39)

Certainly, the loss of innocence is akin to killing a mockingbird, as an innocent child is exposed to the world’s ways of breaking men. Roy brilliantly depicts this tragedy through striking imagery and profound diction. Needless to say, I wholeheartedly recommend The God of Small Things.

Beyond The God of Small Things, I have been deeply moved by its TV adaption, Talkhiyan.

Mere Maazi Ko Andhere Mein Daba Rahne Do
Mera Maazi Meri Zillat Ke Siwa Kuchh bhi Nahin

Express Entertainment, a Pakistani entertainment channel had been home to the weekly series. Adhering to the essential themes and conflicts, writer, Bee Gul and director, Khalid Ahmed, transformed the novel into a Pakistani oriented, Urdu drama. The entire cast awe-insprisingly brought life into Roy’s characters as they efficaciously alluded to prominent motifs within the book – hypocrisy, bitterness and the loss of innocence.  Indeed, Talkhiyan is very unique to typical, run-of-the-mill Pakistani drama serials, which makes this initiative even more remarkable. I encourage my (very limited, but greatly cherished) readers to indulge in the world of The God of Small Things and allow yourself to sense the talkhiyan (Urdu/noun; bitterness) within it.

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